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All Verrill wanted to do was to get to Mars, to Port Mercham where a ship was getting ready to take the Big Jump to the stars. But he was stranded on Venus, without money, papers, or weapons, with nothing but a keep-sake between him and starvation and the revengeful fury of the powerful Brotherhoods – and charity was a forgotten word.

How, with foreign papers, he fought and won the right to a berth, discovered a subtle plot to smuggle narcotics and defeated a mutiny. How he fought a desperate battle with the menace of the Sun and escaped from Mercury, and how, at last, he managed to reach his objective, make a story of high adventure.

This is a fast-moving, hard-hitting tale of the future, of rocket ships and the men who guide them across the wastes of space, of the perils and dangers waiting at every turn. A story which paints bright colours across the pages of unwritten history, and brings to life the lives of those yet unborn.

Humankind has arrived on Moss to discover if any intelligent native life exists there, and to assess the planet, recently discovered by the Derac, a nomadic space-faring race, for development – and profit. Multi-coloured shapes of dancing light have been spotted; strange sounds are heard in the night; the researchers name them the Mossen and send for a linquist to ascertain if it is evidence of intelligent life.

Jewel Delis has accompanied her half-brother Paul to this verdant paradise. Her task is to help Paul decipher the strange language of the Mossen – but she has a secret mission too. A new law on Earth means the imminent massacre of all beasts great and small, so Jewel must discover if Moss holds the promise of sanctuary for the doomed animals – once humankind’s beloved companions.

Time is running out for Jewel’s creatures, but it might be running out for Humanity too: the Planet Moss, itself a living entity, is not sure it cares for any of the species currently living on its surface . . .

This collection by Lucius Shepard, one of the most exciting new writers to emerge in the 1980s, includes the eponymous story ¿Barnacle Bill the Spacer¿, about an attempted mutiny on a space station, which won the Hugo Award, as well as ¿Sports in America¿, about a man who finds out just how far he is willing to go when he is hired by a local crime boss to kill a man. In ¿All the Perfumes of Araby¿ a small-time smuggler is granted a vision of the future that compels him to change his life, while ¿Human History¿ is a post-apocalyptic adventure story with a hint of decadence. ¿The Sun Spider¿ is a romance of sorts, with a decidedly gothic twist, while in ¿Beast of the Heartland¿, a boxer at the end of his career is lured back into the ring with the promise of one last big payoff. And anyone who has ever completely lost themselves in a piece of music will recognise the inspiration for ¿A Little Night Music¿. Shepard’s stories are not just wonderfully three-dimensional characters dealing with life-changing events; they are filled with colours, textures, sounds and smells, as he describes his backgrounds with as much care as a master painter.