Search Results for: we-are-for-the-dark

Johnny Mays has the moral conscience of a selfish child in the frame of a plain-clothes cop. The city is his playground, the rest of us his toys. He likes to find out where we work, and where we live, and what will scare us most. And Johnny never had a toy he didn’t break.

But Johnny starts a car chase, and he pushes it too far. Soon they’re fishing for his body at the foot of a dam, and his partner Nick Frazier has been left behind. They were friends, once, a long time ago. Nick had hoped that he might save Johnny.

Johnny’s last words still echo in Nick’s mind: “I’m going to remember this,” he said, a dark fire in his eyes. “I’m coming back for you.”

Then the killings start. Killings of people Johnny didn’t like. And Johnny’s car is dredged up, empty.

His name was Tharg, but he was not of any life form we know today. He lived so long ago that the planet Earth had not yet shaped itself. Lava seas roiled and churned, volcanoes spouted and grew, and heavy clouds hung in the hydrogen atmosphere, leaving the planet’s surface dark and dangerous.

On that world Tharg met his death, or something very much like it. He became a disembodied, totally nonphysical intelligence, cut off from all contact with the life he had known. He ‘slept’ for hundreds of millions of years, unconnected with the world, unthinking, hardly existing.

But then he began to awake – for there was new life on Earth, creatures called ‘human’, and Tharg, knowing an ancient promise from the stars, had to tell them of it. But . . . how?

They have lived among us for centuries-distant, separate, just out of sight. They fill our myths, our legends, and the stories we tell our children in the dark of night. They come from the air, from water, from earth, and from fire. What are these creatures that enjoin out imagination? Faeries.

Megan is an artist who draws seascapes. Jonah owns a shop devoted to treasures from the deep. Their lives, so strongly touched by the ocean, become forever intertwined when enchanting people of the sea lure them further into the underwater world-and away from each other.

Commodore John Grimes was finally getting his space wings back. On his old ship, Faraway Quest, Grimes was to venture forth to the very Rim of the known worlds, seeing … The Outsider.

“The Outsider’s Ship … is a storehouse of science and technology … we, and the Federation, and the Shaara Empire, and probably quite a few more, have sent expeditions. Every one has ended disastrously.”

So, it is out to the Rim and find The Outsider. But the mystery ship is not always easy to find. And other worlds, too, yearn for the treasures of the alien technology. What Commodore Grimes finds at the Rim, and what finds him there, sends him racing through time tracks, surrounded by enemies and temporary friends, trying endlessly to discover the secret dangers of … The Outsider.

A brilliant scientist learns to reduce humans to Lilliputian size and finds the perfect guinea pigs when three colleagues try to discover his secret.

Dr. Bulfinch, Bill Stockton, beautiful Mary Phillips, and the Mexican, Pedro, did not remember what had happened after the furious scientist caught them snooping in his secret room.

Now they did not know where they were. They rose, shakily, breathing in great gasps. Everything was dark.

“Where are we?” Mary cried out.

Suddenly horror grew in Pedro’s eyes as he remembered something. He gasped, “He made my Pinto, the mule, little. Now I know… He has made us little like my mule…”

The modern mind usually associates witchcraft with the middle ages. We think of witches as Shakespeare depicted them in Macbeth. We see them as secret, black and midnight hags, doing a deed without a name. We close our eyes and immediately the vision of a cauldron filled with foul ingredients appears before us; here are the fenny snake, adder’s fork, wool of bat, scale of dragon and tooth of wolf.

But this does not go far enough back. There was witchcraft in the world long before medieval times. The Witch of Endor who practiced her strange arts in the reign of King Saul is familiar to all students of the Old Testament. The writings of Homer abound with references to witchcraft and sorcery. The very earliest human societies had witch doctors, medicine men, shamans and priests of the black art.

Perhaps so ancient and widespread a cult has some basis in fact. There are powers beyond science. Ancient occult laws will still hold good. It is not wise to cross the path of a being whose age is measured in centuries and whose dark powers can alter the stars in their courses.

The Battle of Cattreath is one of the great unknowns of early British history. A small band of men from the ‘Old North’ of Britain, the Gododdin, mount an audacious assault on the Angle stronghold of Cattreath.

Most of the information we have comes from a single poem, the Y GODODDIN, and it is this that inspires John James’ dark, powerful and original retelling of the attack. With stark prose and powerful description, James takes an almost-forgotten story and makes it real.

Shef, the One King, is a visionary and warrior. His accomplishments have changed the history of the Dark Ages as we know it – he has defeated the English, the Pope’s army and the Norse in turn. Now, he must face the reborn power of the Holy Roman Empire.

While the Gods of Asgard continue to use him as a plaything Shef must defeat Bruno, the German emperor, who wields the Holy Lance which pierced Christ’s side. The terrible invention of Greek Fire threatens Shef’s fearsome Viking navy, and he must turn to the East to seek new wisdom. Finally, his quest may lead him to the Holy Grail itself.

As Harry Harrison’s highly-acclaimed series reaches its climax, not even the gods can predict victor and vanquished.

The perfect Halloween novel!

‘Glaister has the uncomfortable knack of putting her finger on things we most fear, of exposing the darkness within’ Independent on Sunday

‘Before Gillian Flynn, there was Lesley Glaister’ Harper’s Bazaar

All Nell’s life, Olive Owen has lived next door but one. And all her life, Nell has hated her. Even at school Olive had sparkled indecently, turning heads. Nell has a son, her pleasure and her shame, though now she lives alone. Nell is sharp in all the places Olive is round.

When Wolfe moves into the house in between them, their quiet street is transformed. A lonely, spirited eight-year-old boy, he knocks on their doors at Halloween and invites them to his bonfire party. As the fireworks flare, he finds himself in the middle of an ancient conflict, grudges bared and burning with a fury he could never have imagined.

‘A perfect, black little tale’ Observer

Archaeologists, studying the past, are handicapped by the fact that relics are usually few and in poor condition. Often, one is not even sure where to look for them. Out of such finds, from tombs, ruined cities, swamps, deserts, and any other place where men of the past have left some trace of themselves, the archaeologist tries to build up a picture of these men’s lives and civilizations. but there are great gaps in our knowledge and probably always will be. For Instance, we cannot yet read the inscriptions left by the ancient Cretans, and so are in the dark about many features of their high civilization…

VOLKHAVAAR is a novel of witchcraft and wonders on a world far removed from those we know. Here the gods contend for power – the Dark forces against the Light – and here an entire city and its land is plunged into the shadow of an eil beyond anything conceivable.

It is the story of Shaina the slave girl and of Volk the outcast who enslaved himself to cosmic forces to gain total power – and of how they were finally to meet and flash – with an entire world as their prize.

By the CWA Gold Dagger award-winning author of Other Paths to Glory

‘We want you to lay a ghost,’ Frances Fitzgibbon is told as she is ordered to investigate the past of her own superior, Colonel Jack Butler’s, at a decisive moment in his career. But why?

For as Colonel Butler pursues an elusive IRA/KGB assassin, Frances finds herself confronting dangerous questions as more than one spectre is raised from the dark past.

The Collected Stories Volume 7: We Are For The Dark (1987 – 1990)

Winner of multiple Hugo and Nebula Awards, Robert Silverberg is one of the all time greats of science fiction. A professional writer for more than half a century, his short story output has been prolific and exceptional in quality.

This series of nine volumes will collect all of the short stories and novella-length that SF Grand Master Silverberg wants to take their place on the permanent shelf.

Each volume will be roughly 150,000-200,000 words, with classics and lesser known gems alike. The author has also graced us with a lengthy introduction and extensive story notes for each tale.

Contents:
The Dead Man’s Eyes
Enter A Soldier. Later: Enter Another
To The Promised Land
Chip Runner
A Sleep And A Forgetting
In Another Country
The Asenion Solution
We Are For The Dark
Lion Time In Timbuctoo
A Tip On A Turtle

In the dim far future of Earth, when the sun had shrunk to a small red disk in the dark sky and the race of man lived in isolated cities that echoed with the vastness of the world’s history, science, myth and magic had become one. Sorcerors who read the books of ancient times held great power, and fearsome monsters created in ages long forgotten stalked the land. In this world of mystery and danger, the adventurer known as Cugel the Clever was forced to undertake a quest for Iucounu the Laughing Magician – a quest that was to take him to lands stranger than any he had dreamed of, and pit his wits and his sword against powers from beyond time itself.

Previously published as The Eyes of the Overworld, this is the second of a quartet of titles sharing the same far-future setting first introduced in The Dying Earth

Contents: The Overworld, Cil, The Mountains of Magnatz, The Sorcerer Pharesm, The Pilgrims, The Cave in the Forest, The Manse of Iucounu.

All Jack Vance titles in the SFGateway use the author’s preferred texts, as restored for the Vance Integral Edition (VIE), an extensive project masterminded by an international online community of Vance’s admirers. In general, we also use the VIE titles, and have adopted the arrangement of short story collections to eliminate overlaps.

The Collected Stories Volume 2: To The Dark Star (1962 – 1969)

Winner of multiple Hugo and Nebula Awards, Robert Silverberg is one of the all time greats of science fiction. A professional writer for more than half a century, his short story output has been prolific and exceptional in quality.

This series of nine volumes will collect all of the short stories and novella-length that SF Grand Master Silverberg wants to take their place on the permanent shelf.

Each volume will be roughly 150,000-200,000 words, with classics and lesser known gems alike. The author has also graced us with a lengthy introduction and extensive story notes for each tale.

Contents:
To See The Invisible Man
The Pain Peddlers
Neighbor
The Sixth Palace
Flies
Halfway House
To The Dark Star
Hawksbill Station
Passengers
Bride 91
Going Down Smooth
The Fangs of the Trees
Ishmael in Love
Ringing the Changes
Sundance
How It Was When the Past Went Away
A Happy Day in 2381
(Now + n, Now – n)
After the Myths Went Home
The Pleasure of Their Company
We Know Who We Are