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    Author of the Month: James Blish

    The award-winning author of A CASE OF CONSCIENCE and CITIES IN FLIGHT, James Blish, is June's Author of the Month. All individual titles £2.99 for this month only!

  • Cassini Titan Rings

    All the worlds of time and space await ...

    Return to the golden age of SF, when the solar system was but a stepping stone, and sometimes even the galaxy wasn't enough . . .

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    Author of the Month

    The Hugo Award-winning author of A CASE OF CONSCIENCE and CITIES IN FLIGHT. All individual titles £2.99 for the month of June!
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    New Book of the Week

    The first book of The True Game: a trilogy of trilogies from Sheri S. Tepper, the acclaimed author of BEAUTY and GRASS.
  • Gods_Themselves_SFMoW

    SF Masterwork of the Week

    Grand Master of SF, Isaac Asimov's Hugo and Nebula Award-winning masterpiece (print only).
  • broken_sword_the_140px

    Readers' Choice

    A blood-drenched retelling of Scandinavian mythology, where amoral gods and elves draw a good man and his evil shadow into a tragic final conflict.

News

SFE: The Encyclopedia of Science Fiction

Iain M. Banks (1954 - 2013)

Iain Menzies Banks (1954-2013) was a Scottish writer who published fiction for the general market as Iain Banks, and that aimed more directly at sf readers as Iain M Banks. Although differences in register can be detected between the two forms of his name, as a whole Banks's work is more usefully thought of as ranging through a wide spectrum, rather than as bifurcating into two separate categories. As in the case of Graham Greene's "real novels" and what he called "Entertainments", it is a distinction without visible merit, beyond its use in marketing terms. Indeed, separating Banks's two lists of titles has, if anything, actively damaged attempts to come to grips with his considerable oeuvre. His first published novel, The Wasp Factory (1984), is a case in point: the familial intensities brought to light as the 17-year-old protagonist awaits the return home of his crazy older brother are psychologically probing in an entirely mimetic sense, while at the same time his dreams and behaviour are rendered in terms displaced into the surrealistic realms of modern horror; it does that novel no favour to ignore its complex, knowing, Equipoisal traversal of various modes of telling. Iain Banks's second novel, Walking on Glass (1985), even more radically engages a mixture of genres . . .

More about Iain M. Banks (1954 - 2013)